Natalia Dominelli

Spring 2024

Criticism and Reviews

Introduction to Dance Criticism

Dance criticism serves as the analytical lens through which dance performances, choreography, and dancers are evaluated and appreciated. It acts as a bridge between the art form and its audience, providing insights into the technical, artistic, and emotional dimensions of dance.

The Historical Evolution of Dance Criticism

Throughout history, dance criticism has evolved alongside the development of dance itself. From the early writings of critics like Théophile Gautier and Jules Janin in the 19th century, who laid the groundwork for ballet’s recognition as a respected art form, to the modern-day insights offered by contemporary critics, the journey of dance criticism reflects the changing landscape of dance as an art form.

Key Concepts in Dance Criticism

  1. Technical Proficiency: This concept encompasses the execution of movements, transitions, and partnering techniques. It evaluates a dancer’s precision, strength, flexibility, and control, providing insight into their level of training and proficiency.
  2. Artistic Expression: Artistic expression in dance criticism refers to a dancer’s ability to convey character, emotion, and narrative through movement. Critics analyze how effectively dancers communicate with their audience, adding depth and meaning to their performances.
  3. Choreographic Innovation: Critics assess the creativity, originality, and thematic content of choreographic works. They analyze the structure, aesthetic qualities, and effectiveness of choreography, providing insights into the choreographer’s artistic vision and innovation.
  4. Contextual Considerations: Dance criticism often takes into account the cultural, historical, and social context in which a performance occurs. Critics explore how dance reflects or challenges prevailing norms, ideologies, and artistic movements, shedding light on broader cultural trends and values.

Prominent Dance Critics

  1. Anna Kisselgoff: As the chief dance critic for The New York Times from 1977 to 2005, Kisselgoff’s insightful reviews and articles provided a platform for both classical and contemporary dance.
  2. Alastair Macaulay: Renowned for his analytical approach and encyclopedic knowledge of ballet, Macaulay served as the chief dance critic for The New York Times from 2007 to 2018.
  3. Judith Mackrell: A prominent dance critic for The Guardian, Mackrell’s engaging writing style and perceptive observations have earned her acclaim in the dance world.
  4. Deborah Jowitt: With a career spanning over five decades, Jowitt has established herself as a leading voice in dance criticism through her work for The Village Voice and other publications.
  5. Luke Jennings: Known for his eloquent prose and passionate advocacy for dance, Jennings has written extensively for The Observer and other publications, enriching the discourse surrounding dance with his insights and reflections.

Understanding the Role of Dance Competition Judges

Dance competition judges play a pivotal role in evaluating performances, providing constructive feedback, and determining winners. Their responsibilities include assessing technical proficiency, artistic expression, stage presence, and overall performance quality. Judges bring expertise and insight from backgrounds in dance education, performance, choreography, or related fields, ensuring a comprehensive and fair evaluation process.

Scoring Dynamics in Dance Competitions

Scoring at dance competitions involves assigning numerical scores based on predetermined criteria, such as technique, artistry, musicality, and presentation. Judges may utilize a standardized scoring system or criteria specific to the competition’s rules and guidelines. Scores from multiple judges are often combined to calculate a dancer’s final score, determining their ranking or placement in the competition and providing valuable feedback for improvement.

The Audition Process: Gateway to Opportunities

The audition process for dance companies, schools, or productions serves as a gateway for dancers to showcase their talents and potential to directors, choreographers, and casting professionals. Auditions may encompass demonstrations of technical skills, performance of choreographed combinations or improvisation, and showcase of artistry and versatility. Dancers are evaluated on their physical attributes, such as flexibility, strength, and alignment, as well as their ability to learn and adapt to different styles and choreographic approaches. The audition process offers opportunities for growth, networking, and professional advancement within the dance industry.

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